DIANNE HOUSTON is an Oscar nominated writer/director with three decades of credits and accomplishments in television and film. In 1996, Houston transformed Arne Bontemp’s classic Harlem Renaissance short story A Summer Tragedy into her Academy Award nominated Short Film Tuesday Morning Ride. This nomination made Houston the first African American female director to be nominated for an Oscar in that or any other directing category. Houston, known for her unique skills as a storyteller, director, and as a builder of memorable characters, has developed film and television projects for Showtime, HBO, Tribeca Films, Paramount, New Line, Participant Films, Universal, CBS, ABC, Paramount, and many others. Her credits include: Take the Lead; Seacole; Knights of the South Bronx; Runaway Island; and Surviving Compton: Suge, Dre, and Michel’le (which won the Gracie Allen Award for Outstanding Limited Series of Made for Television Movie, and was nominated for a WGA Award for Best Original Long Form in 2017); Michael Jackson: Searching for Neverland; and several seasons of the series EMPIRE. Writer and director of FREEDOM HAIR for MPI Original Films, she is the author/co-producer of the Charly Pride bio-pic AMERICAN PRIDE; and for NBCUniversal, she created Boley, a premium series based on the true story of the 1930s all Black town, Boley, Oklahoma. She is writing and directing Sugarfoot, a memoir of her adventures with Nina Simone. Her production company ANCHOR STREET FILMS was established in 2019 as a home base for film, television, and literary projects stemming from the imagination of Dianne Houston. Fantasy, history, and genre bending storytelling thrive at Anchor Street, with the added spice of a global perspective literally anchored in a Black American female voice. Houston began her career in theater, working with such greats as Ntozake Shange, Laurie Carlos, Peter Brook, La Mama, Joe Papp, Woodie King, and Joseph Chaikin. She credits “life changing exchanges” with James Baldwin, Toni Morrison, Nina Simone, and Miles Davis for informing her world view of theater, art, history, and literature. These exchanges, combined with her theater background, shaped Houston’s voice as a writer and director for film. Houston is a mother of two amazing young people, both of whom have worked beside her on productions. Dianne Houston is a cancer survivor, devoted to her family, great stories, laughter, and meditation.